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supported by 160 fans who also own “MR2”
Cascading tumultuously and heavenelly.. some beauts on this
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Everywhere at the end of time
by The Caretaker
supported by 127 fans who also own “MR2”
This is one of the best albums i've ever heard. I swear, I will never hear anything like it again. Don't tell anyone but I cried the first time I heard it.
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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
can machines enjoy the sunset?
by lixt
Hypnotic electronic tracks that use texture and tone to create vast soundworlds. A film for the ears.
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The latest album from Perth producer Phil Stroud offers a mesmerizing vision of "artificial sonic ecosystems," ambient at its most organic.
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mundo prestado
by Francisco Cos y Lucas Percuoco
featured on Bandcamp Radio Jan 7, 2014
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Everywhere, an empty bliss
by The Caretaker
supported by 110 fans who also own “MR2”
I believe this is the end credits to The Caretaker. EATEOT, EAEB, And AEBBTW all share one thing in common, and I believe it is the feeling of making old music sounding older. The music Kirby presents us gives emotions that are mixture between sad, calm, and even fear. Kirby calls this feeling "Empty Bliss" and I think that phrase is perfect to describe this album and the rest of Kirby's work. May the ballroom remain eternal.
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